Set in the Old Truman Brewery in Brick Lane,
American Intercontinental University (AIU) hosted its 2012 Graduate Fashion
show and marketing exhibition.
Fifteen final year Fashion Design students showcased their collections of 6-8 outfits.
Makeup artists who trained at the Session School also created a twist on the 50s style.
By Karen Grace
Personal Shopper & Image Consultant for Frumpy to Funky http://www.frumpytofunky.com
Fifteen final year Fashion Design students showcased their collections of 6-8 outfits.
Backstage hairstylists from the Marylebone
hairdressing salon Electric Hair created a feminine but androgynous look –
volume on the top with hair flat at the sides and back. A futuristic take on the 50s bouffant beehive
style.
Makeup artists who trained at the Session School also created a twist on the 50s style.
The eyes were the main focus with the
dramatic black ‘cat eye’ liner. The twist came with white eyeliner used close
to the bottom lashes followed with another black line. Metallic and bold pastel
shades were also used courtesy of the mineral cosmetic brand Bellapierre.
The show was hosted by TV stylist Nick Ede. First on the catwalk was Nazish Kalani’s
collection titled Elixir of Refinement. Kalani’s aim was to portray a polished
demure look. Using a palette of white, ivory and cream for hope and the light seen at the end of the
black tunnel, she returns to gentle and
humbler roots. The overall look was neat and simple, but a
closer inspection revealed many textural layers with fabrics of crisp cotton
and the denser felt being used (which in some pieces Kalani actually made). The
folds in the long skirts were voluminous with fine pleat detailing on tops. Fringing
trimmed the hem of a coat whilst a basket weave design gave texture to a black
sculptural jacket.
A few more of the design students were:
Basma El Ajou whose collection was titled
Allure du Maroc. Inspired by the beauty of Marrakech, Basma
created simple designs adding drama with a colour palette of petrol blue and
orange to interpret the lush gardens, spices, terracotta tiles and radiance of
Marrakech. Rich fabrics of wool with
cashmere and silk jersey were used. The key looks were the dramatic sweeping floor
length cloaks with hoods adding a sense of mystery and the low crotch style harem
style trousers.
Padraic Cowley with a collection titled Brown
Paper. Starting with the British country tweed look,
this collection became an eclectic mix of the gentry and the worker styles. Short tweed coat, jodhpur style trousers worn
with full blouse and a long coat of Aran wool with leather patched elbows
mingled with a peasant like frayed shawl and elongated Aran jumper with
waistcoat complete with the skeletal frame of a rowing boat. Earthy fabrics
included organic flannels, cord, tweed, leather and wool.
Johnny Wang, collection titled Chaos: 3286. Partly inspired by David Attenborough’s
Frozen Planet, Wang shows the earth ice bound in the year 3286. His collection
is a patchwork of the high tech and the low primitive, a combination an
explorer on an epic expedition would need to survive. Fabrics are rubber, plastic and synthetic
fur. The fur ranges from stark white, candy to black, but always with a sheen as
though reflecting the light from the blinding snow. Sleeves are exaggeratedly long and hoods deep and structured.
Celebrities watching the show included
Zandra Rhodes who handed out prizes to the award winning AIU student designers at
the end of the show and DJ Jodie Harsh.
Images provided by AIU London
By Karen Grace
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